Despite their regional particularities—unfolding across what he calls “the margins of Europe”—Jude’s films reflect an anxious feeling that is increasingly global: the derangement of being jacked into the internet, 24/7. With their mix of high intellectual pontification and vulgar low-humor, Jude has won over audiences at film festivals and art-houses who vibe on his absurd, caustic, somewhat doomer-ish wavelength, which vibrates somewhere between Jean-Luc Godard and Beavis and Butt-Head. With his latest film, Dracula, Jude seems intent on challenging, and even alienating, his most devoted admirers.