The conductor, Cris Frisco, led an adroit pit band of 11 instrumentalists (Kyle Glasgow, doubling on clarinet and tenor saxophone, was a standout). Korngold’s music can swing quickly between old-world Viennese sweetness, Mahler-influenced angst and some vintage cinematic balladry. There’s a reason you’ll find the contemporary piano phenomenon Yunchan Lim offering a bit of this work as an encore, and in a version similar to Korngold’s own playing (and humming). The tunes here are lovely.