Michelle Lopez, “Pandemonium,” 2025. With its cyclonically swirling image of American flags, newspaper pages and trash projected on the gallery ceiling, our critic writes, the work catches the unmoored psychic metabolism of this Semiquincentennial year.
2026-03-05 1536词 晦涩
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Gradually some of these problems have undergone degrees of correction, a development that has itself inspired some critical pushback. (For the record, of the 56 artists, duos and collectives in this year’s edition, more than half the participants identify as female, and a large number were born in countries that have been historically subject to United States intervention or occupation: Afghanistan, Iraq, Japan, the Philippines, Vietnam and now Iran.)
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