When I approached one of the Claude typewriters, which were placed next to art books and paintbrushes on top of wooden desks, an employee instructed me on how to proceed and stressed, repeatedly, that I should not prompt the bot with more than eight to 10 words. To get things started, Claude typed onto the paper, “What caught your eye in Monet and Venice? Type a word or short phrase and I’ll tell you more.” Questions I really wanted to ask—about the intentions behind and effects of the seemingly coarse weave of the canvases, or how Monet, obsessed with color, selected his pigments—were hard to pare down on the spot. I wrote that I noticed “shimmering water in varying lights.”